Sue Moss
Titles
Biography
Sue Moss is a writer, performer and reviewer. Her work has been widely published in Australian and overseas journals. Her poetry and performance pieces are included in the following anthologies: Moorilla Mosaic (Bumblebee Books, 2001), Motherlode (Sybylla Feminist Press, 1996), Neo: Picador New Writing (Picador, 1993).
Her poetry collections include The Upwardly Downward Mobility Blues in Hot Collation (Penguin Australia, 1994) MossHunt (chapbook, 1995). She is the co-editor, with Karen Knight, of Interior Despots: Running the Border (Pardalote Press, 2001). Her work is also profiled in the essay Between the Covers in Feminism & Antiracism: International Struggles for Justice (University of New York Press, 2001).
She has collaborated with performers, visual artists and musicians. Her literary musical May I Have This Dance Miss Stein? received an Arts Tasmania Adult Theatre Grant in 1997.
Her work with visual artists includes Will the Real Australia Please Stand Up? (1996) curated by Christl Berg, the Poets & Painters Exhibition (1996 & 1998) where she collaborated with Barbie Kjar and Patricia Brassington and The Shelley Innocence Project with Peter Burke, Cath Barcan and Julie Hunt (2004).
She has worked with a number of musicians including percussionist Patricia Borrell, (bard & band), andrea breen, viola and voice, guitarist and vocalist Wendy Hartshorn, (basic black & ready to go), Julian Witek, percussionist, and composer Rosemary Austen.
Sue Moss regularly reviews for the national arts on-line & street paper RealTime.
Her first children's picture book Precious Little, co-authored with Julie Hunt, and illustrated by Gaye Chapman is forthcoming from Allen & Unwin in 2009.